By: Laurel Kimball
President
The Greenleaf Group, Inc.
The sculpture garden was a surprise.
I fly in and out of Des Moines, Iowa, frequently for family visits and am used to zipping my rental car right past the dreary downtown Des Moines that I remember, slowing down just enough to glimpse the gold domes of Iowa’s majestic State Capitol Building from the freeway.
On my most recent trip last March, I noticed signs and fliers everywhere announcing something new in downtown Des Moines: the Pappajohn Sculpture Park. I love sculpture gardens, so, despite trepidations about its location, I decided to check this place out.
I was pleasantly shocked by what I found. Twenty-five sculptures created by internationally known artists such as Willem de Kooning, Louise Bourgeois, Richard Serra and Ellsworth Kelly are now located in the heart of downtown Des Moines at the four-acre Pappajohn Park—an open urban sculpture garden.
- Shown here are two Gary Hume sculptures (front) and a Barry Flanagan sculpture (rear) in the Pappajohn Sculpture Park.
Click here to see the $40 million Pappajohn collection and learn more about the park. This world-class park and the beautiful State Capitol are now bookends two miles apart at either end of Des Moines’ East Village. The scary,dilapidated downtown of twenty years ago has been transformed into an inviting and thriving mixed-use urban area full of action day and night! As N.Y. Times author Adam Nagourney wrote, “I’m not sure … Des Moines has become a vacation destination. But it has most certainly become cool.”
How could this tremendous change happen so quickly in a city of less than 300,000? It turns out there was a plan. For nearly 20 years, leaders from the City of Des Moines, State of Iowa, business, politics and the community have cooperated in carrying out the Vision Plan for downtown Des Moines which they drafted with architect and planner Mario Gandelsonas. As part of the Vision Plan, a city-state-business partnership cleared a several block area in downtown and built the Western Gateway Park.
One day John Pappajohn, an Iowa venture capitalist, drove by the new park and realized it would be the perfect spot for the sculpture he and his wife had been collecting for years. He called the Des Moines Art Center to suggest the idea, and, within two years, all the details had been worked out and the Mary and John Pappajohn Sculpture Park was created.
What can we learn from the Des Moines example? To me, it demonstrates the value of having a long-term regional plan and of cooperating to implement it. The plan’s success, in turn, encourages others to visualize new opportunities and to act generously. Then, unexpected, wonderful things happen.
This example aligns well with Valley Forward’s mission “to convene thoughtful public dialogue on regional issues and to promote cooperative efforts to improve the environment and livability of Valley communities.” I believe that one of Valley Forward’s most important roles is to make Valley residents aware of such possibilities as car-free travel onThe Valley’s Pedestrian Freeway or more canal amenities illustrated on Canalscape.
And I have my fingers crossed that one day soon some generous benefactors drive by Steele Park –or another Valley park – and have the idea that their sculpture collection would look great there!
- Laurel Kimball (center) with Iowa artist Jan Craft (left) and Deborah Butterfield sculpture (right) in Pappajohn Sculpture Park.




By: Art Jordan, AIA LEED AP
By Michelle De Blasi
By: Heidi Short
